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jean-Baptiste-Simeon Chardin
1699-1779 was an 18th-century French painter. He is considered a master of still life.Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre.Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731.He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Academie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Academie Royale de Peinture et de Sculpture. The following year he ceded his position in the Academie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn's, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn's had died as well.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a 'dedicated academician', regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Angelique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin's work.Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of 'replicas' of previous works.In 1763 his services to the Academie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Academie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.By 1770 Chardin was the 'Premiere peintre du roi', and his pension of 1,400 livres was the highest in the Academy.In 1772 Chardin's son,

 

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jean-Baptiste-Simeon Chardin Grace Before Dinner oil painting

Painting ID::  30610

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jean-Baptiste-Simeon Chardin
Grace Before Dinner
mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1744 France
   
   
     

 

 

jean-Baptiste-Simeon Chardin Still Life oil painting

Painting ID::  30627

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jean-Baptiste-Simeon Chardin
Still Life
mk68 Oil on canvas Paris,Louvre 1763 France
   
   
     

 

 

jean-Baptiste-Simeon Chardin The Brioche oil painting

Painting ID::  30628

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jean-Baptiste-Simeon Chardin
The Brioche
mk68 Oil on canvas Paris,Louvre 1763 France
   
   
     

 

 

jean-Baptiste-Simeon Chardin The Silver Goblet oil painting

Painting ID::  31313

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jean-Baptiste-Simeon Chardin
The Silver Goblet
nn07 Oil on canvas 13 x 16 1/4" (33 x 41 cm) Musee du Louvre, Paris
   
   
     

 

 

jean-Baptiste-Simeon Chardin jean baptiste simeon chardin oil painting

Painting ID::  56516

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jean-Baptiste-Simeon Chardin
jean baptiste simeon chardin
mk248 den ena av ett par den andra var le buffet som cbardin lamnade till franska konstademin da nicolas de largilliere upptackt bonom bland andra boppfulla ungdomar pa salon de feunesse. folk bade trott att dukarna var flamlandska stilleben ocb de ansags sa bra att de genat gick vidare som cbardins diplomerade arbeten.
   
   
     

 

 

jean-Baptiste-Simeon Chardin Still Life with Glass Flask and Fruit oil painting

Painting ID::  86754

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jean-Baptiste-Simeon Chardin
Still Life with Glass Flask and Fruit
c. 1750 Medium Oil on canvas cjr
   
   
     

 

 

jean-Baptiste-Simeon Chardin Stilleben mit Brioche oil painting

Painting ID::  88643

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jean-Baptiste-Simeon Chardin
Stilleben mit Brioche
1763(1763) Medium Oil on canvas Dimensions Deutsch: 47 x 56 cm cjr
   
   
     

 

 

jean-Baptiste-Simeon Chardin Stilleben oil painting

Painting ID::  90205

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jean-Baptiste-Simeon Chardin
Stilleben
2nd third of 18th century Medium oil on canvas Dimensions 52,5 x 112 cm cjr
   
   
     

 

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jean-Baptiste-Simeon Chardin
1699-1779 was an 18th-century French painter. He is considered a master of still life.Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre.Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731.He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Academie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Academie Royale de Peinture et de Sculpture. The following year he ceded his position in the Academie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn's, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn's had died as well.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a 'dedicated academician', regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Angelique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin's work.Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of 'replicas' of previous works.In 1763 his services to the Academie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Academie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.By 1770 Chardin was the 'Premiere peintre du roi', and his pension of 1,400 livres was the highest in the Academy.In 1772 Chardin's son,