|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
|
|
|
|
|
|
|
unknow artist
Adoration of the Shepherds
1608 Oil on canvas St.-Pauluskerk, Antwerp , Artist: RUBENS, Pieter Pauwel , Adoration of the Shepherds , 1601-1650 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Evangeliarum from Saint
1180-1200 Illumination on parchment, 251 x 186 mm Museum Mayer van den Bergh, Antwerp , Artist: MINIATURIST, French , Evangeliarum from Saint-Amand Abbey , 1151-1200 , French , illumination , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Rest on the Flight into Egypt
1500 Oil on oak panel, 57 x 44,2 cm Groeninge Museum, Bruges An anonymous but important Bruges master painted the Rest on the Flight into Egypt at around 1500. With the exception of its vast panoramic landscape, it differs little from its predecessors, especially from works by David. , Artist: UNKNOWN MASTER, Flemish , Rest on the Flight into Egypt , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Triptych with the Family of St Anne
1490s Oil on panel, 87,4 x 92,5 cm (centre), 87,3 x 37,1 cm (left), 87,4 x 39,2 cm (right) Museum voor Schone Kunsten, Ghent An impression of Ghent panel painting in the shadow of the leading masters is provided by a number of works from religious institutions in the city that have been attributed to local workshops on stylistic grounds. There is , for instance, the Triptych with the Family of St Anne. This work prompted the coinage of the name 'The Master of the Family of St Anne', an anonymous artist to whom several other panels in Ghent have been attributed. The most clearly discernible influence in his work is that of Van der Goes' realism. , Artist: UNKNOWN MASTER, Flemish , Triptych with the Family of St Anne , 1451-1500 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Adoration of the Shepherds and Adoration of the Magi
1500-20 Oil on oak panel, 91 x 59 cm (each) Groeninge Museum, Bruges These anonymous panels - in original frame - with the Adoration of the Magi and the Adoration of the Shepherds were based on well-known compositions by Hugo van der Goes and Gerard David. In their hints of Derer and the shape of their architectural motifs, however, they announce the beginnings of a new, diffident spirit. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Shepherds and Adoration of the Magi , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Virgin and Child Crowned by Two Angels
1490s Oil on wood, 103 x 76 cm Groeninge Museum, Bruges The Virgin and Child were copied from two different compositions by Rogier van der Weyden. , Artist: UNKNOWN MASTER, Flemish , Virgin and Child Crowned by Two Angels , 1451-1500 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Annunciation and Visitation
1525 Oil on oak panel, 99 x 33 cm (each) Groeninge Museum, Bruges The Mannerist tendency in the old duchy of Brabant (Antwerp-Brussels), had some points of contact with the more sedate Bruges style. It is not always clear, however, whether a particular work was painted by Bruges masters who had settled in Antwerp or in Bruges itself. Alongside the pure Antwerp and Bruges styles, a kind of Bruges-Antwerp fusion can be distinguished, symbolizing the growing attraction of the rising metropolis. The wings with the Annunciation and Visitation are examples of this mixed style. , Artist: UNKNOWN MASTER, Flemish , Annunciation and Visitation , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Adoration of the Magi
1520 Panel, 29 x 22 cm (central), 29 x 8,5 cm (side panels) Koninklijk Museum voor Schone Kunsten, Antwerp The charming little work by anonymous artist called the Master of the Antwerp Adoration is exuberant, lively and full of eccentric shapes and attitudes, while the newly acquired wealth of Antwerp is displayed in the abundance of luxurious, gothic reminiscences. , Artist: UNKNOWN MASTER, Flemish , Adoration of the Magi , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Annunciation Altarpiece
1480s Oak and walnut, 41,3 x 22,9 (central part), 41,3 x 11,1 cm (each wing) Museum Mayer van den Bergh, Antwerp , Artist: UNKNOWN MASTER, Flemish , Annunciation Altarpiece , 1451-1500 , Flemish , sculpture , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Maiestas Domini
1300 Illumination on parchment, 278 x 206 mm Museum Mayer van den Bergh, Antwerp The picture shows a folio from the Missal of Abbess de Munchensey, an English missal dating from around 1300. , Artist: MINIATURIST, English , Maiestas Domini , 1301-1350 , English , illumination , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Portrait of Mary of Burgundy
1490s Panel painting Musee Cond? Chantilly *** Keywords: ************* Artist: UNKNOWN MASTER, Flemish , Portrait of Mary of Burgundy , 1451-1500 , Flemish , painting , portrait
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Triptych with Scenes from the Life of Christ
1500-05 Oil on panel, 58 x 46 cm (centre), 57,5 x 16,5 cm (each wing) Private collection, Milan This remarkable work which came to light recently seems to be by the same Memling follower who painted the Santa Barbara Lamentation (Museum of Art). In the larger Lamentation, however, the painter is more precise in the details than in the miniature scenes, which seem to be painted with an unruly brush. Typologically, however, everything corresponds: the rather stiff figures with wooden gestures and attitudes, the hard folds, the trees with thick burly foliage, the plump clouds with heavy lighted edges. Remarkable about this triptych is the fact that many of the little scenes have been taken from well-known Memling compositions: it is largely conceived as a pastiche of Memling fragments. From left to right and from top to bottom, the triptych contains the following scenes: Left wing 1. Annunciation 2. Visitation 3. Nativity 4. Jesus among the Pharisees Central panel 5. Presentation in the Temple 6. Flight into Egypt 7. Mourning Mary and Joseph 8. Flagellation 9. Carrying of the Cross 10. Crucifixion 11. Lamentation 12. Entombment 13. Circumcision 14. Mount of Olives 15. Christ at the column 16. Christ released from the Flagellation column by Mary and John 17. Crowning with Thorns 18. Mocking of Christ 19. Christ nailed to the Cross 20. Crucifixion Right panel 21. Resurrection 22. Ascension 23. Descent of the Holy Ghost 24. Death of the Virgin. The work is popular in conception and there is hardly any logic in the arrangement of the scenes. Following the example of contemporaneous miniature painting (Simon Bening) they are enclosed in a painted window in early Renaissance style. Only the wings are arranged in chronological order with scenes from the Childhood and scenes after the Christ's death. In the central panel, which is mainly devoted to the Passion, everything is mixed up. Spatially the artist has shown a degree of circumspection, for the scenes at the top have a very low horizon, while the lower scenes exhibit the usual foreshortening in successive plans. The conscious reference to various works by Memling (with some scenes possibly deriving from lost compositions) clearly points to a painter who had access to these works while they were still in the workshop or to whom working drawings were available. It is also remarkable that the borrowings come from late works. It can be assumed therefore that we are here dealing with a student or assistant of Memling. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Triptych with Scenes from the Life of Christ
1500-05 Oil on panel Private collection, Milan The picture represents scene 2 of the left wing, the Visitation. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Triptych with Scenes from the Life of Christ
1500-05 Oil on panel Private collection, Milan The picture represents scene 9 of the central panel, the Carrying of the Cross. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Triptych with Scenes from the Life of Christ
1500-05 Oil on panel Private collection, Milan The picture represents scene 21 of the right wing, the Resurrection. , Artist: UNKNOWN MASTER, Flemish , Triptych with Scenes from the Life of Christ (detail) , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Trinity Piet
1415-30 Oil on oak panel, 23,2 x 15,9 cm Wallraf-Richartz Museum, Cologne The Man of Sorrows in the arms of God the Father with the Holy Ghost between them both is a kind of Seat of Mercy or more exactly a Trinity Piet? The type is met with frequently in French and Burgundian court painting from the end of the fourteenth century onwards. One of the best known and earliest preserved examples is the tondo by Jean Malouel in the Louvre. Both in the common Man of Sorrows type and in the Trinity Piet? angels are often supporting Christ's body on both sides or carrying instruments of the Passion. The small Cologne work is part of this tradition. The Man of Sorrows is flanked by four angels, with two of them holding the Flagellation column, the scourge, the stick with the sponge and the lance. This type clearly forms the basis of the Man of Sorrows borne by an angel by Master Francke which in turn led to the Virgin showing Man of Sorrows by Memling (Melbourne). The reverse features a Holy Face of Christ. The panel is attributed to the Master of Sankt Laurenz (St Lawrence), the pupil of the Cologne Master of St Veronica. It is also assumed that this small panel was the left wing of a diptych having, on the right, a Mater Dolorosa. , Artist: UNKNOWN MASTER, German , Trinity Piet? , 1401-1450 , German , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Death of the Virgin
1515-25 Oil on wood, 100,4 x 51,7 cm Museum Mayer van den Bergh, Antwerp This unusual Mannerist painting is a masterpiece of Antwerp Mannerism. The artist is referred to as the Master of Amiens. , Artist: UNKNOWN MASTER, Flemish , Death of the Virgin , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Folio from the Mayer van den Bergh Breviary
1510-15 Illumination on parchment,224 x 160 mm Museum Mayer van den Bergh, Antwerp All the features that earned the Ghent-Bruges workshop its success and fame are present in the Mayer van den Bergh Breviary's miniatures. They include the margin decoration, painted in tromp-l'oeil, often with a strewn flower motif. This new brilliantly detailed observation of nature and representation of the human figure anticipates the Renaissance approach. , Artist: MINIATURIST, Flemish , Folio from the Mayer van den Bergh Breviary , 1501-1550 , Flemish , illumination , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Nativity
1500-05 Oil on oak panel with integrated frame, diameter 27,7 cm Sint-Janshospitaal, Damme This little work is a copy of Memling's Nativity in Cologne (Museum fer Angewandte Kunst) turned into a tondo. Both the composition and the colour scheme correspond. Joseph is wearing a red cape and Mary a dark blue one (which has now almost turned black) with a white garment underneath. This suggests that the prototype was still to be seen in or around Bruges. A few smaller details have been altered: the donkey is turning towards its manger on the right and the Virgin has a round aureole and a dark border to the neckline of her garment. Both these last details point to the early sixteenth century. , Artist: UNKNOWN MASTER, Flemish , Nativity , 1501-1550 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
unknow artist
Virgin and Child with St Anne
Tempera on canvas, 32,2 x 23,7 cm Museum Mayer van den Bergh, Antwerp , Artist: UNKNOWN MASTER, Flemish , Virgin and Child with St Anne , 1451-1500 , Flemish , painting , religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| unknow artist
|
|
|
|
|
|
|
|
|
