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Caravaggio
Martha and Mary Magdalene
1595
Detroit Institute of Arts
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Caravaggio
Narcissus
1598-99
Galleria Nazionale de Arte Antica, Rome
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Caravaggio
Judith and Holofernes
1599
Galleria Nazionale de Arte Antica, Rome
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Caravaggio
Still Life with Flowers Fruit
1590s
RomeGalleria Borghese, Rome
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Caravaggio
Youth with a Flower Basket
1595
Galleria Borghese, Rome
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Caravaggio
Youth Bitten by a Green Lizard
1592-93
Longhi Collection, Florence
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Caravaggio
Rest During the Flight into Egypt
1595-96
Galleria Doria Pamphili
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Caravaggio
The Cardsharps
1595
Kimbell Art Museum, Fort Worth
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Caravaggio
Medusa
1590
Galleria degli Uffizi, Florence
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Caravaggio
The Sacrifice of Isaac
c1596
Barbara Piasecka Johnson Collection, Princeton, NJ
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Caravaggio
The Fortune Teller
1594-95
Musee du Louvre, Paris
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Caravaggio
The Sacrifice of Isaac_2
1603
Galleria degli Uffizi, Florence
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Caravaggio
The Concert The Musicians
1595
Metropolitan Museum of Art, New York
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Caravaggio
Lute Player5
1595
The Hermitage, St.Petersburg
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Caravaggio
St.Francis in Ecstasy
1595
Wadsworth Atheneum, Hartford, Connecticut
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Caravaggio
The Annunciation
1609
Mus??e des Beaux-Arts, Nancy
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Caravaggio
The Nativity with Saints Francis and Lawrence
1609
Formerly San Lorenzo, Palermo (lost)
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Caravaggio
The Beheading of the Baptist
1608
St.John Museum, La Valetta
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Caravaggio
Sick Bacchus g
c. 1593
Oil on canvas, 67 x 53 cm
Galleria Borghese, Rome
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Caravaggio
Boy Peeling a Fruit df
c. 1593
Oil on canvas, 75,5 x 64,4 cm
Longhi Collection, Rome
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| Caravaggio
|
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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