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Caravaggio St. Francis in Ecstasy c. 1595
Oil on canvas,
92,5 x 128,4 cm
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Caravaggio Judith Beheading Holofernes c. 1598
Oil on canvas,
145 x 195 cm
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Caravaggio St. John the Baptist 1600
Oil on canvas,
230 x 175 cm
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Caravaggio The Incredulity of Saint Thomas 1601-02
Oil on canvas,
107 x 146 cm
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Caravaggio The Crowning with Thorns Oil on canvas,
178 x 125 cm
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Caravaggio Fruits basket mk186
around 1597/98
Milan, Pinacoteca Ambrosiana
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Caravaggio The meal in Emmaus mk186,
1601 London, Natinal Gallery
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Caravaggio Jungling with fruits basket mk186
around 1593/94 Rome, Galleria Borghese
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Caravaggio Youthful Bacchus mk186
1596/97 Florence, Uffizien
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Caravaggio Maria Magdalena mk186
1594/95 Rome, Galleria Doria Pamphilj
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Caravaggio Supper of Aaimasi mk191
1596-1603
oil on canvas
139x185cm
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Caravaggio Detail of Supper of Aaimasi mk191
Oil on canvas
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Caravaggio Leaning younger in rose bush mk191
Oil on canvas
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Caravaggio The Supper at Emmaus mk216
The Italian Caravaggio was one of the great rebels of art
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Caravaggio Lutspelaren mk234
about 1596
94x120cm
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Caravaggio The young Bacchus mk234
1590-first century
94x85cm
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Caravaggio Marie dod mk234
1605/06
370x244cm
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Caravaggio Maltiden in Emmaus mk234
1600-01
140x195cm
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Caravaggio The entombment mk244
300x203cm
Oil on canvas
Rome
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Caravaggio boy with a basket of fruit mk247
c.1593,oil on canvas,27.5x26.375 in,70x67 cm,galleria borghese,rome,ltaly
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Caravaggio
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Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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