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James Tissot
Captain Frederick Gustavus Burnaby
Captain Frederick Gustavus Burnaby
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James Tissot
festivities aboard ship
1874
london, the tate gallery
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James Tissot
portrait of a lady, c.
1865
paris, louvre
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James Tissot
A Little Nimrod
Technique Oil on canvas
Dimensions English:
Current location English: Private collection
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James Tissot
Quiet
Technique Oil on canvas
Dimensions 27 X 36 cm
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James Tissot
Algeron Moses Marsden
Medium Oil on canvas
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James Tissot
The Confidence
Medium Oil on canvas
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James Tissot
Seaside
c. 1878
Oil on canvas
87.5 x 61 cm
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James Tissot
Young Lady in a Boat.
1870(1870)
Oil on canvas
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James Tissot
A Woman of Ambition (Political Woman) also known as The Reception
1883-85
Oil on canvas
142.24 x 101.6 cm
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James Tissot
Quiet
c. 1881
Oil on canvas
27 X 36 cm (10.63 X 14.17 in)
cjr
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James Tissot
Quiet
Date c. 1881
Medium Oil on canvas
Dimensions 27 X 36 cm (10.63 X 14.17 in)
cyf
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James Tissot
The Ball
Date 1880(1880)
Medium Oil on canvas
Dimensions 90 x 50 cm (35.4 x 19.7 in)
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James Tissot
Hush
Date c.1875
Medium Oil on canvas
cjr
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James Tissot
Faust and Marguerite in the Garden
Date 1861(1861)
Medium Oil on canvas
cjr
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James Tissot
The Dreamer
Date 1871(1871)
Medium Oil on canvas
Dimensions 34.9 x 60.3 cm (13.7 x 23.7 in)
cjr
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James Tissot
Emigrants
Date c.1873
Medium Oil on panel
Dimensions English: 39.4 x 17.8 cm
cjr
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James Tissot
The Shop Girl
Date 1883-1885
Medium Oil on canvas
Dimensions English: 146.1 x 101.6 cm
cjr
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James Tissot
An Interesting Story
Date c.1872
Medium Oil on canvas
cjr
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James Tissot
The Ladies of the Cars
Date 1883-1885
Medium Oil on canvas
cjr
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| James Tissot
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French Painter, 1836-1902
French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.
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