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Oil Paintings Come From United Kingdom
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James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.

 

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James Tissot Mavourneen oil painting

Painting ID::  83761

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James Tissot
Mavourneen
Date 1877(1877) Medium Oil on canvas cjr
   
   
     

 

 

James Tissot Young Ladies Looking at Japanese Objects oil painting

Painting ID::  84951

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James Tissot
Young Ladies Looking at Japanese Objects
Date 1869(1869) Medium Oil on canvas Dimensions 70.5 x 50.2 cm (27.8 x 19.8 in) cjr
   
   
     

 

 

James Tissot Hush oil painting

Painting ID::  85202

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James Tissot
Hush
1875 Medium Oil on canvas cyf
   
   
     

 

 

James Tissot Partie Carree oil painting

Painting ID::  85446

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James Tissot
Partie Carree
oil on canvas first exhibited in Paris in 1870 cjr
   
   
     

 

 

James Tissot Young Women Looking at Japanese Objects oil painting

Painting ID::  85508

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James Tissot
Young Women Looking at Japanese Objects
Date c.1869-1870 Medium Oil on canvas cjr
   
   
     

 

 

James Tissot The Farewell oil painting

Painting ID::  85510

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James Tissot
The Farewell
Date 1871(1871) Medium Oil on canvas cjr
   
   
     

 

 

James Tissot Women of Paris oil painting

Painting ID::  85673

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James Tissot
Women of Paris
Date 1883-1885 Medium Oil on canvas Dimensions English: 147.2 x 101.6 cm cjr
   
   
     

 

 

James Tissot In an English Garden oil painting

Painting ID::  87513

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James Tissot
In an English Garden
Date 1878(1878) Medium Oil on canvas Dimensions English: 75.88 x 51.44 cm cjr
   
   
     

 

 

James Tissot Captain Frederick Gustavus Burnaby oil painting

Painting ID::  87969

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James Tissot
Captain Frederick Gustavus Burnaby
1875 Medium Oil on canvas cyf
   
   
     

 

 

James Tissot Croquet oil painting

Painting ID::  92363

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James Tissot
Croquet
c. 1878 oil on canvas TTD
   
   
     

 

 

James Tissot Departure oil painting

Painting ID::  96953

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James Tissot
Departure
1882 Medium oil on canvas cyf
   
   
     

 

 

James Tissot Thames oil painting

Painting ID::  97678

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James Tissot
Thames
1871-72 Medium oil on canvas Dimensions 92.7 x 60.3 cm cyf
   
   
     

 

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James Tissot
French Painter, 1836-1902 French painter, printmaker and enamellist. He grew up in a port, an experience reflected in his later paintings set on board ship. He moved to Paris c. 1856 and became a pupil of Louis Lamothe and Hippolyte Flandrin. He made his Salon d?but in 1859 and continued to exhibit there successfully until he went to London in 1871. His early paintings exemplify Romantic obsessions with the Middle Ages, while works such as the Meeting of Faust and Marguerite (exh. Salon 1861; Paris. Mus. d'Orsay) and Marguerite at the Ramparts (1861; untraced, see Wentworth, 1984, pl. 8) show the influence of the Belgian painter Baron Henri Leys. In the mid-1860s Tissot abandoned these tendencies in favour of contemporary subjects, sometimes with a humorous intent, as in Two Sisters (exh. Salon 1864; Paris, Louvre) and Beating the Retreat in the Tuileries Gardens (exh. Salon 1868; priv. col., see Wentworth, 1984, pl. 45). The painting Young Ladies Looking at Japanese Objects (exh. Salon 1869; priv. col., see Wentworth, 1984, pl. 59) testifies to his interest in things Oriental, and Picnic (exh. Salon 1869; priv. col., see 1984 exh. cat., fig. 27), in which he delved into the period of the Directoire, is perhaps influenced by the Goncourt brothers. Tissot re-created the atmosphere of the 1790s by dressing his characters in historical costume.