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Theodore Gericault
The Cleptomaniac
mk87
c.1822/23
Oil on canvas
61x51cm
Ghent,Musee des Beaux-Arts
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Theodore Gericault
The Raft of the Medusa
mk96
1819
491x716cm
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Theodore Gericault
The Charging curiassier
mk93
1812
292x194cm
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Theodore Gericault
The Cattle market
mk96
1817
56.5x48cm
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Theodore Gericault
The Derby at epson
mk96
1821
92x122.5cm
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Theodore Gericault
Madwoman afflicted with envy
mk96
1822
72x58cm
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Theodore Gericault
The Limekiln
mk96
1822-1823
50x60cm
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Theodore Gericault
The White Cat
mk125
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Theodore Gericault
The Raft of the Medusa
mk129
A contemporary subject in Romantic style.
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Theodore Gericault
Slaves Restraining a House
mk149
1817
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Theodore Gericault
The Raft of the Medusa
mk149
1818-19
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Theodore Gericault
An Officer of the Imperial Horse Guards Charging
mk156
1812
Oil on canvas
349x266cm
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Theodore Gericault
The raft of the Meduse
MK169
1819 oil Paint on cloth 491x716cm
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Theodore Gericault
Horse jerk views
mk178
around 1813/14 oil on linen 74x81cm
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Theodore Gericault
An Officer of the Chasseurs Commanding a Charge
1812 Oil on canvas, 349 x 266 cm
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Theodore Gericault
The Wounded Officer of the Imperial Guard Leaving the Battlefield
1814 Oil on canvas, 358 x 294 cm
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Theodore Gericault
Riderless Horse Races
1817 Oil on canvas, 45 x 60 cm
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Theodore Gericault
The Wreck
1821-24 Oil on canvas, 19 x 25 cm
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Theodore Gericault
Jean-Baptist Isabey, Miniaturist, with his Daughter
1795 Oil on canvas, 194,5 x 130 cm
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Theodore Gericault
Medusa Raftery
mk234
1819
491x717cm
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| Theodore Gericault
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French Romantic Painter, 1791-1824
was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.
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