|
|
|
Theodore Gericault A woman with spelmani mk234
about 1822
77x65cm
|
|
|
|
|
|
|
|
|
|
Theodore Gericault raft of the medusa mk247
1819,oil on canvas,193.25x281.875 in,491x716 cm,louvre,paris,france
|
|
|
|
|
|
|
|
|
|
Theodore Gericault anatomical pieces mk247
1818 to 20,oil on canvas,20.5x25.25 in,52x64 cm,musee fabre ,montpellier,france
|
|
|
|
|
|
|
|
|
|
Theodore Gericault prtrait of a kleptomaniac mk247
1819 to 23,oil on canvas,24x19.75 in,61x50 cm,museum of fine arts,ghent ,belgium
|
|
|
|
|
|
|
|
|
|
Theodore Gericault kavalleriofficeran mk248 gericaults karlek rill bapplopning gav bonom en osviklig blick for bastens linjer ocb rorelser,ocb djurete kraft franbavs ytterligare i den bar malningen genim leopardskinnet som ligger undeln, ryttaren vander sig om for att se pa askadaren medan bans bast stor fram mot strifens rok ocb betta. kompositionen paminner om vitaliteten i rubens strids ocb jaktscaner.
|
|
|
|
|
|
|
|
|
|
Theodore Gericault The Charging Chasseur, The Charging Chasseur, 1812.
|
|
|
|
|
|
|
|
|
|
Theodore Gericault The Raft of the Medusa The Raft of the Medusa, 1819
|
|
|
|
|
|
|
|
|
|
Theodore Gericault The Epsom Derby 1821 Oil on canvas, 92 x 122 cm Musee du Louvre, Paris Painted in 1821, during Gericault's stay in London, the canvas takes its inspiration from English sporting prints, which frequently depict horses at the 'flying gallop' shown by the painter here. The invention of photography, by allowing the various movements of a galloping animal to be analysed, would allow it to be painted accurately, as Degas was to do in his Race-course paintings. Artist: GeRICAULT, Theodore Title: The Epsom Derby , painting Date: 1801-1850 French : other
|
|
|
|
|
|
|
|
|
|
Theodore Gericault A Madwoman and Compulsive Gambler ca. 1820(1820)
Oil on canvas
77 ?? 65 cm (30.31 ?? 25.59 in)
|
|
|
|
|
|
|
|
|
|
Theodore Gericault les poitrails se
|
|
|
|
|
|
|
|
|
|
Theodore Gericault The Wounded Cuirassier, study ca. 1814(1814)
Oil on canvas
55.2 x 46 cm (21.73 x 18.11 in)
|
|
|
|
|
|
|
|
|
|
Theodore Gericault Charging Chasseur by Theodore Gericault Charging Chasseur by Theodore Gericault
1812(1812)
cjr
|
|
|
|
|
|
|
|
|
|
Theodore Gericault One of a project set of four landscapes depicting times of the day, One of a project set of four landscapes depicting times of the day, of which only three were completed. For more information see http://www.metmuseum.org/toah/works-of-art/1989.183 Probably could do with some colour adjustment, the top of the image is lighter due to prevailing light conditions in the museum, and the white/yellow is not strong enough. Finally the left-side structure, according to the miniature on the Met site, is apparently slightly red-tinged.
|
|
|
|
|
|
|
|
|
|
Theodore Gericault Detail from The Raft of the Medusa Detail from The Raft of the Medusa (oil on canvas), held in the Louvre in Paris
Date ca. 1818(1818)
cjr
|
|
|
|
|
|
|
|
|
|
Theodore Gericault Kohlenwagen 1821-1822
Medium Oil on canvas
Dimensions 42 x 65.5 cm (16.5 x 25.8 in)
cjr
|
|
|
|
|
|
|
|
|
|
Theodore Gericault Pferd im Gewitter 1820-1821
Medium Oil on canvas
Dimensions Deutsch: 49 x 60 cm
cjr
|
|
|
|
|
|
|
|
|
|
Theodore Gericault Firmenschild fur einen Hufschmied 1813-1814
Medium oil on panel
Dimensions Deutsch: 44,5 x 37 cm
cjr
|
|
|
|
|
|
|
|
|
|
Theodore Gericault The 1821 Derby at Epsom 1821
Type Oil painting
Dimensions 92 cm x 123 cm
cyf
|
|
|
|
|
|
|
|
| |
|
|
Theodore Gericault
|
French Romantic Painter, 1791-1824
was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.
|