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Tintoretto Susanna and the Elders nn05
c.1555
The third voyeur stood before the canvas
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Tintoretto Details of Susanna and the Elders nn05
Cowardly assault on a woman's virtue
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Tintoretto Details of Susanna and the Elders nn05
Beauty in the shade of trees
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Tintoretto Details of Susanna and the Elders nn05
A centre of luxury and fashion
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Tintoretto Details of Susanna and the Elders nn05
Art and nature
harmony in a Garden
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Tintoretto Vulcano sorprende a Venus y Marte mk79
A finales del siglo XVI
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Tintoretto Recreation by our Gallery mk79
About 1557
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Tintoretto Recreation by our Gallery mk79
About 1557
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Tintoretto Brazen Serpent 1575-76
Oil on canvas, 840 x 520 cm
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Tintoretto Glorification of St Roch 1564
Oil on canvas, 240 x 360 cm
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Tintoretto The Ascent to Calvary 1566-67
Oil on canvas, 515 x 390 cm
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Tintoretto Crowning with Thorns 1566-67
Oil on canvas, 285 x 400 cm
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Tintoretto Christ before Pilate 1566-67
Oil on canvas, 515 x 380 cm
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Tintoretto The Prayer in the Garden 1578-81
Oil on canvas, 538 x 455 cm
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Tintoretto Battle between Turks and Christians 1588-89
Oil on canvas, 189 x 307 cm
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Tintoretto Creation of the Animals c. 1550
Oil on canvas,
151 x 258 cm
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Tintoretto St Louis, St George and the Princess c. 1553
Oil on canvas,
226 x 146 cm
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Tintoretto Christ Washing the Feet of His Disciples c. 1547
Oil on canvas,
210 x 533 cm
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Tintoretto The Miracle of the Loaves and Fishes 1578-81
Oil on canvas,
523 x 460 cm
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Tintoretto La Probatica Piscina 1578-81
Oil on canvas,
533 x 529 cm
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Tintoretto
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Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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