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Tintoretto
Christ in Maria and Marta
m k186
around 1580
Munchen, old Pinakothek
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Tintoretto
The funf senses with landscape
mk186
around 150 Venice, Gallerie Dell' Accademia
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Tintoretto
The communion
mk186
1592-94 Venice church San Giorgio Maggiore
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Tintoretto
Entombment
1592-94
Oil on canvas,
288 x 166 cm
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Tintoretto
Portrait of Giovanni Paolo Cornaro
1561
Oil on canvas,
102 x 81,2 cm
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Tintoretto
St Jerome and St Andrew
c. 1552
Oil on canvas,
235 x 145 cm
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Tintoretto
Portrait of a Young Gentleman
c. 1555
Oil on canvas,
105 x 92 cm
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Tintoretto
The Supper at Emmaus
1542-43 Oil on canvas, 156 x 212 cm
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Tintoretto
The Discovery of St Mark-s Body
1562-66 Oil on canvas, 400 x 400 cm
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Tintoretto
st.george and the dragon
mk247
c.1558,oil on canvas,62x39.5 in,157.5x100.3 cm,national,gallery,london,uk
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Tintoretto
adam and eve
mk247
c.1550,oil on canvas,59x86.5 in,150x220 cm,gallerie dell-accademia,venice,ltaly
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Tintoretto
Slave miracle
mk250 Year in 1548, Oil on canvas, about 426.7 x 548.6 cm. Venice Fine Arts Academy.
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Tintoretto
The Last Supper
mk250 Year in 1594. Oil on canvas, 365.8 x 569 cm. Venice, Italy, Maggiore Church of St. George's main altar.
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Tintoretto
Madonna with Child and Donor,
Madonna with Child and Donor, National Museum of Serbia, Belgrade
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Tintoretto
Finding of the body of St Mark
Finding of the body of St Mark (1548).
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Tintoretto
St Mark Body Brought to Venice
St Mark's Body Brought to Venice (1548)
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Tintoretto
The Deliverance of Arsenoe
The Deliverance of Arsenoe (c. 1560).
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Tintoretto
Miracle of the Slave
Miracle of the Slave (1548).
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Tintoretto
The Last Supper
The Last Supper (1594).
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Tintoretto
Christ at the Sea of Galilee
1575/80 Oil on canvas, 117 x 168.5 cm National Gallery of Art, Washington *** Keywords: ************* Author: TINTORETTO Title: Christ at the Sea of Galilee, 1551-1600, Italian , painting , religious
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| Tintoretto
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Italian Mannerist Painter, ca.1518-1594
His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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