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Oil Paintings Come From United Kingdom
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Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

 

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Canaletto Piazza S.Marco verso la basilica,dall'angolo nord-oves (mk21) oil painting

Painting ID::  22769

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Canaletto
Piazza S.Marco verso la basilica,dall'angolo nord-oves (mk21)
1760 ca Olio su tela 46.5 x 38 cm The National Gallery,Londra
   
   
     

 

 

Canaletto Festa notturna alla chiesa di S.Pietro di Castello (mk21) oil painting

Painting ID::  22770

X 
 

Canaletto
Festa notturna alla chiesa di S.Pietro di Castello (mk21)
1758 ca Olio su tela Gemaldegalerie,Staatliche Museen zu Berlin-Preui-Scher Kulturbesitz,Berlino (prestito della Fondazione Streit)
   
   
     

 

 

Canaletto Panorama di Londra attraverso un arcata del ponte di Westminster (mk21) oil painting

Painting ID::  22771

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Canaletto
Panorama di Londra attraverso un arcata del ponte di Westminster (mk21)
1747 ca Olio su tela,57 x 95 cm Collection of the Duke of Northumberland,Londra
   
   
     

 

 

Canaletto Il Tamigi col ponte di Westminster nel fondo (mk21) oil painting

Painting ID::  22772

X 
 

Canaletto
Il Tamigi col ponte di Westminster nel fondo (mk21)
1746 Olio su tela 118 x 238 cm Collezione Roudnice Lobkowitz,Castello Nelahozeves Praga
   
   
     

 

 

Canaletto Campo SS.Apostoli (mk21) oil painting

Painting ID::  22773

X 
 

Canaletto
Campo SS.Apostoli (mk21)
1735-1740 Olio su tela 45 x 77.5 cm Collezione privatea,Milano
   
   
     

 

 

Canaletto Campo S.Rocco  (mk21) oil painting

Painting ID::  22774

X 
 

Canaletto
Campo S.Rocco (mk21)
dopo il 1730 Olio su tela 47 x 80 cm Collezione privata,Woburn Abbey Art Gallery,Woburn
   
   
     

 

 

Canaletto Jan Vermeer van Delf Veduta di Delft (mk21) oil painting

Painting ID::  22775

X 
 

Canaletto
Jan Vermeer van Delf Veduta di Delft (mk21)
1660 -1661 ca Olio su tela 96.5 x 115.7 cm Koninklik Kabinet van schilderijen Mauritshuis,L'Aja
   
   
     

 

 

Canaletto Il Ponte dell'Arsenale (mk21) oil painting

Painting ID::  22776

X 
 

Canaletto
Il Ponte dell'Arsenale (mk21)
dopo il 1730 Olio su tela,47 x 78 cm Collezione privata,Woburn Abbey Art Gallery,Woburn
   
   
     

 

 

Canaletto La Piazzetta e il Palazzo Kucale dal bacino di S.Marco (mk21) oil painting

Painting ID::  22777

X 
 

Canaletto
La Piazzetta e il Palazzo Kucale dal bacino di S.Marco (mk21)
1735-1740 Olio su tela 40 x 80 cm Collezione Privata,Woburn Abbey Art Gallery,Woburn
   
   
     

 

 

Canaletto Il Canal Grande Balbi (mk21) oil painting

Painting ID::  22778

X 
 

Canaletto
Il Canal Grande Balbi (mk21)
1723-1725 Olio su tela 144 x 207 cm Museo del Settecento Veneziano,Ca'Rezzonico,Venezia
   
   
     

 

 

Canaletto Ricevimento del'ambasciatore imperiale al palazzo Ducale (mk21) oil painting

Painting ID::  22779

X 
 

Canaletto
Ricevimento del'ambasciatore imperiale al palazzo Ducale (mk21)
Olio su tela,184 x 265 cm Collezione Aldo Crespi,Milano
   
   
     

 

 

Canaletto Il ricevimento del'ambasciatore francese al Palazzo Ducale (mk21) oil painting

Painting ID::  22780

X 
 

Canaletto
Il ricevimento del'ambasciatore francese al Palazzo Ducale (mk21)
1727-1729 Olio su tela,181 x 259 cm Eremitage,San Pietroburgo
   
   
     

 

 

Canaletto Ritorno del bucintoro al Molo nel giorno dell'Ascensione dopo Il (mk21) oil painting

Painting ID::  22781

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Canaletto
Ritorno del bucintoro al Molo nel giorno dell'Ascensione dopo Il (mk21)
1729 Olio su tela 187 x 259 cm Museo A.S.Puskin,Mosca
   
   
     

 

 

Canaletto Regata sul Canal Grande (mk21) oil painting

Painting ID::  22782

X 
 

Canaletto
Regata sul Canal Grande (mk21)
1733-1734 Olio su tela.77.2 x 125.7 cm Royal Collection.Windsor Castle,Windsor
   
   
     

 

 

Canaletto Rome Ruins of the Forum looking towards the Capitol (mk25) oil painting

Painting ID::  24083

X 
 

Canaletto
Rome Ruins of the Forum looking towards the Capitol (mk25)
1742
   
   
     

 

 

Canaletto Rome The Arch of Septimius Severus (mk25) oil painting

Painting ID::  24084

X 
 

Canaletto
Rome The Arch of Septimius Severus (mk25)
1742
   
   
     

 

 

Canaletto The Arch of Titus (mk25) oil painting

Painting ID::  24086

X 
 

Canaletto
The Arch of Titus (mk25)
1742
   
   
     

 

 

Canaletto Rome The Arch of Constantine (mk25) oil painting

Painting ID::  24087

X 
 

Canaletto
Rome The Arch of Constantine (mk25)
1742
   
   
     

 

 

Canaletto The Bacino di S Marco on Ascension Day (mk25) oil painting

Painting ID::  24091

X 
 

Canaletto
The Bacino di S Marco on Ascension Day (mk25)
c 1734
   
   
     

 

 

Canaletto A Regatta on the Grand Canal (mk25) oil painting

Painting ID::  24093

X 
 

Canaletto
A Regatta on the Grand Canal (mk25)
c 1734
   
   
     

 

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Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.