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Canaletto Looking East c. 1725 Oil on canvas, 65 x 98 cm
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Canaletto Santi Giovanni e Paolo and the Scuola di San Marco 1726 Oil on canvas, 90,5 x 136 cm
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Canaletto The Stonemason-s Yard 1726-30 Oil on canvas, 124 x 163 cm
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Canaletto Piazza San Marco c. 1730 Oil on canvas, 68,6 x 112,4 cm
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Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco 1740 Oil on canvas, 46,5 x 63 cm
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Canaletto The Horses of San Marco in the Piazzetta 1743 Oil on canvas, 108 x 129,5 cm
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Canaletto the Old Horse Guards from St James-s Park 1749 Oil on canvas, 117 x 236 cm
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Canaletto Grand Canal: Looking South-East from the Campo Santa Sophia to the Rialto Bridge 1760 Oil on canvas, 46,5 x 38 cm
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Canaletto Stenhuggarverkstaden mk234
late 1720's
125x163cm
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Canaletto the stonemason s yard mk247
1727 to 28 ,oil on canvas,48.75x64.125 in,124x163 cm,national gallery,london,uk
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Canaletto reception of the french ambassador in venice mk247
c.1740,oil on canvas,71.25x102.125 in,181x260 cm,state hermitage museum,st.petersburg,russia
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Canaletto eto college mk248 denna bild av den beromda engelska skolan nara windsor malades mot slutet av canalettos vistse i storbitannien som bade inletts 1746.
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Canaletto basino san marco venedig mk248 den vy som manga resenerer pe sin grnd fardades for att se ocb pa duk. det var inte ovanligt att entusiastiska kopare tog bem sina canalettos innan fargen ens bunnit torka.
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Canaletto Return of the Bucentoro to the Molo on Ascension Day 1732 Oil on canvas Royal Collection, Windsor Artist: CANALETTO Painting Title: Return of the Bucentoro to the Molo on Ascension Day (detail) , 1701-1750 Painting Style: Italian , , landscape
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Canaletto Venice Viewed from the San Giorgio Maggiore - Oil on canvas 77 x 97 cm St?delsches Kunstinstitut, Frankfurt Artist: CANALETTO Painting Title: Venice Viewed from the San Giorgio Maggiore , 1701-1750 Painting Style: Italian , , landscape
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Canaletto Piazza San Marco 1735 Oil on canvas, 68,5 x 93,5 cm Galleria Corsini, Rome Artist: CANALETTO Painting Title: Piazza San Marco, Looking toward San Geminiano , 1701-1750 Painting Style: Italian , , landscape
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Canaletto The Bucintore Returning to the Molo on Ascension Day c 1740 Oil on canvas, 187 x 259 cm Pushkin Museum, Moscow The painting is presumably a replica, painted by Canaletto himself, of the painting executed for the Count of Gergy in 1726 and subsequently lost. The painting was executed on the occasion of the reception of the French Ambassador, Jacques Vincent Languet, Count of Gergy in Venice. Artist: CANALETTO Painting Title: The Bucintore Returning to the Molo on Ascension Day , 1701-1750 Painting Style: Italian , , landscape
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Canaletto Grand Canal Looking Northeast from Palazo Balbi toward the Rialto Bridge 1723-24 Oil on canvas, 144 x 207 cm Museo del Settecento Veneziano, Ca' Rezzonico, Venice The painting is part of a series of four vedute (now two are in the Thyssen collection and two in the Museo del Settecento in Venice). The four paintings reveals the influence of Marco Ricci. Artist: CANALETTO Painting Title: Grand Canal, Looking Northeast from Palazo Balbi toward the Rialto Bridge , 1701-1750 Painting Style: Italian , , landscape
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Canaletto vy over canal grande i venedig olja på duk 101x162
se
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Canaletto The Molo Venice Medium oil on canvas
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Canaletto
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Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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