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Canaletto
The Feast Day of St Roch
mk156
c.1735
Oil on canvas
147x199cm
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Canaletto
View from the Right Bank of the Elbe
mk156
1747
Oil on canvas
133x237cm
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Canaletto
The Arrival of the French Ambassador in Venice
mk159
1730s
Oil on canvas
181x259.5cm
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Canaletto
Rio dei Mendicanti
mk157
1723
Collezion M.Crespo.Milan
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Canaletto
The Molo seen against the zecca
mk157
before 1740
Civiche Raccolte d-Arte Antica Castello Sforzesco
Milan
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Canaletto
The Bucintoro in Front of the Doges- Palace on Ascension Day
mk157
1729
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Canaletto
named Canaletto Venetie, the Bacino Tue S. Marco on Hemelvaartsdag
MK169
1732-35 Shut down 76.8x116.8cm
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Canaletto
Venice The Feast Day of Saitn Roch
mk170
circa 1735
Oil on canvas
147.7x199.4cm
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Canaletto
Campo S.Vidal and Santa Maria della Carita
mk170
1727-1728
Oil on canvas
123.8x162.9cm
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Canaletto
Eton College
mk170
circa 1754
Oil on canvas
61.6x107.7cm
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Canaletto
London Interior of the Rotunda at Ranelagh
mk170
1754
Oil on canvas
47x75.6cm
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Canaletto
View of Campo Santi Apostoli
1730
Oil on canvas,
45 x 77,5 cm
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Canaletto
Westminster Bridge from the North on Lord Mayor-s Day
1746
Oil on canvas,
96 x 137,5 cm
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Canaletto
London, Seen from an Arch of Westminster Bridge
1747
Oil on canvas,
118 x 238 cm
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Canaletto
the Old Horse Guards from St James's Park
1749
Oil on canvas,
117 x 236 cm
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Canaletto
the Old Horse Guards and Banqueting Hall, from St James-s Park
1749
Oil on canvas,
45,5 x 76 cm
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Canaletto
Looking South-West
1755-59
Oil on canvas,
67,3 x 102 cm
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Canaletto
Looking South-East from the Campo Santa Sophia to the Rialto Bridge
c. 1756
Oil on canvas,
119 x 185 cm
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Canaletto
Looking East from the South West Corner
c. 1760
Oil on canvas,
45 x 35 cm
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Canaletto
Piazza San Marco
1723-24 Oil on canvas, 141,5 x 204,5 cm
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| Canaletto
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Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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