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Oil Paintings Come From United Kingdom
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Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

 

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Canaletto The Grand Canal and the Church of the Salute df oil painting

Painting ID::  5592

X 
 

Canaletto
The Grand Canal and the Church of the Salute df
1730 Oil on canvas, 49,5 x 72,5 cm Museum of Fine Arts, Houston
   
   
     

 

 

Canaletto The Grand Canal and the Church of the Salute (detail) ffg oil painting

Painting ID::  5593

X 
 

Canaletto
The Grand Canal and the Church of the Salute (detail) ffg
1730 Oil on canvas Museum of Fine Arts, Houston
   
   
     

 

 

Canaletto Piazza San Marco with the Basilica fg oil painting

Painting ID::  5594

X 
 

Canaletto
Piazza San Marco with the Basilica fg
c. 1730 Oil on canvas, 76 x 114,5 cm Fogg Art Museum, Cambridge
   
   
     

 

 

Canaletto Piazza San Marco f oil painting

Painting ID::  5595

X 
 

Canaletto
Piazza San Marco f
c. 1730 Oil on canvas, 68,6 x 112,4 cm Metropolitan Museum of Art, New York
   
   
     

 

 

Canaletto View of the Ducal Palace f oil painting

Painting ID::  5597

X 
 

Canaletto
View of the Ducal Palace f
c. 1730 Oil on canvas El Paso Museum of Art, El Paso
   
   
     

 

 

Canaletto Piazza San Marco: the Clocktower f oil painting

Painting ID::  5598

X 
 

Canaletto
Piazza San Marco: the Clocktower f
c. 1730 Oil on canvas, 52,7 x 70,5 cm Nelson-Atkins Museum, Kansas City
   
   
     

 

 

Canaletto Reception of the Ambassador in the Doge s Palace oil painting

Painting ID::  5599

X 
 

Canaletto
Reception of the Ambassador in the Doge s Palace
c. 1730 Oil on canvas, 184 x 265 cm Private collection
   
   
     

 

 

Canaletto The Bucintoro Returning to the Molo on Ascension Day fg oil painting

Painting ID::  5600

X 
 

Canaletto
The Bucintoro Returning to the Molo on Ascension Day fg
c. 1730 Oil on canvas, 182 x 259 cm Private collection
   
   
     

 

 

Canaletto The Fonteghetto della Farina oil painting

Painting ID::  5601

X 
 

Canaletto
The Fonteghetto della Farina
The Fonteghetto della Farina
   
   
     

 

 

Canaletto The Riva degli Schiavoni f oil painting

Painting ID::  5602

X 
 

Canaletto
The Riva degli Schiavoni f
1730-31 Oil on canvas, 46 x 63 cm Kunsthistorisches Museum, Vienna
   
   
     

 

 

Canaletto Grand Canal: from Santa Maria della Carit to the Bacino di San Marco d oil painting

Painting ID::  5603

X 
 

Canaletto
Grand Canal: from Santa Maria della Carit to the Bacino di San Marco d
1730-33 Oil on canvas, 47,9 x 80 cm Royal Collection, Windsor
   
   
     

 

 

Canaletto A Regatta on the Grand Canal d oil painting

Painting ID::  5604

X 
 

Canaletto
A Regatta on the Grand Canal d
c. 1732 Oil on canvas, 77 x 126 cm Royal Collection, Windsor
   
   
     

 

 

Canaletto Return of the Bucentoro to the Molo on Ascension Day d oil painting

Painting ID::  5605

X 
 

Canaletto
Return of the Bucentoro to the Molo on Ascension Day d
c. 1732 Oil on canvas, 77 x 126 cm Royal Collection, Windsor
   
   
     

 

 

Canaletto Return of the Bucentoro to the Molo on Ascension Day (detail)  fd oil painting

Painting ID::  5606

X 
 

Canaletto
Return of the Bucentoro to the Molo on Ascension Day (detail) fd
c. 1732 Oil on canvas Royal Collection, Windsor
   
   
     

 

 

Canaletto Return of the Bucentoro to the Molo on Ascension Day (detail) d oil painting

Painting ID::  5607

X 
 

Canaletto
Return of the Bucentoro to the Molo on Ascension Day (detail) d
c. 1732 Oil on canvas Royal Collection, Windsor
   
   
     

 

 

Canaletto View of the Entrance to the Arsenal df oil painting

Painting ID::  5608

X 
 

Canaletto
View of the Entrance to the Arsenal df
c. 1732 Oil on canvas, 47 x 78,8 cm Private collection
   
   
     

 

 

Canaletto View of the Entrance to the Arsenal (detail) s oil painting

Painting ID::  5609

X 
 

Canaletto
View of the Entrance to the Arsenal (detail) s
c. 1732 Oil on canvas Private collection
   
   
     

 

 

Canaletto The Piazzetta g oil painting

Painting ID::  5610

X 
 

Canaletto
The Piazzetta g
1733-35 Oil on canvas, 68,6 x 91,5 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     

 

 

Canaletto Dolo on the Brenta df oil painting

Painting ID::  5611

X 
 

Canaletto
Dolo on the Brenta df
c. 1730-35 Oil on canvas, 80,5 x 96,5 cm Staatsgalerie, Stuttgart
   
   
     

 

 

Canaletto View of the Bacino di San Marco (St Mark s Basin) oil painting

Painting ID::  5612

X 
 

Canaletto
View of the Bacino di San Marco (St Mark s Basin)
1730-35 Oil on canvas, 53,5 x 71 cm Pinacoteca di Brera, Milan
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9  10     Next

 

Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.