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Oil Paintings Come From United Kingdom
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Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

 

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Canaletto Capriccio: Ruins and Classic Buildings ds oil painting

Painting ID::  5613

X 
 

Canaletto
Capriccio: Ruins and Classic Buildings ds
1730s Oil on canvas, 87,5 x 120,5 cm Museo Poldi Pezzoli, Milan
   
   
     

 

 

Canaletto Venice Viewed from the San Giorgio Maggiore ds oil painting

Painting ID::  5614

X 
 

Canaletto
Venice Viewed from the San Giorgio Maggiore ds
Oil on canvas, 77 x 97 cm Städelsches Kunstinstitut, Frankfurt
   
   
     

 

 

Canaletto The Feast Day of St Roch fd oil painting

Painting ID::  5615

X 
 

Canaletto
The Feast Day of St Roch fd
c. 1735 Oil on canvas, 147,5 x 199,5 cm National Gallery, London
   
   
     

 

 

Canaletto The Feast Day of St Roch (detail) f oil painting

Painting ID::  5616

X 
 

Canaletto
The Feast Day of St Roch (detail) f
c. 1735 Oil on canvas National Gallery, London
   
   
     

 

 

Canaletto Campo Santa Maria Formosa  g oil painting

Painting ID::  5617

X 
 

Canaletto
Campo Santa Maria Formosa g
c. 1735 Oil on canvas, 47 x 80 cm Private collection
   
   
     

 

 

Canaletto Campo San Rocco bvh oil painting

Painting ID::  5618

X 
 

Canaletto
Campo San Rocco bvh
c. 1735 Oil on canvas, 47 x 80 cm Private collection
   
   
     

 

 

Canaletto Piazza San Marco, Looking toward San Geminiano df oil painting

Painting ID::  5619

X 
 

Canaletto
Piazza San Marco, Looking toward San Geminiano df
c. 1735 Oil on canvas, 68,5 x 93,5 cm Galleria Corsini, Rome
   
   
     

 

 

Canaletto The Rialto Bridge from the South fdg oil painting

Painting ID::  5620

X 
 

Canaletto
The Rialto Bridge from the South fdg
c. 1735 Oil on canvas, 68,5 x 92 cm Galleria Corsini, Rome
   
   
     

 

 

Canaletto View of the Grand Canal fg oil painting

Painting ID::  5621

X 
 

Canaletto
View of the Grand Canal fg
c. 1735 Oil on canvas, 73 x 129 cm Wallraf-Richartz Museum, Cologne
   
   
     

 

 

Canaletto Piazza San Marco: Looking South-East oil painting

Painting ID::  5622

X 
 

Canaletto
Piazza San Marco: Looking South-East
1735-40 Oil on canvas, 114,2 x 153,5 cm National Gallery of Art, Washington
   
   
     

 

 

Canaletto Entrance to the Grand Canal: from the West End of the Molo  dd oil painting

Painting ID::  5623

X 
 

Canaletto
Entrance to the Grand Canal: from the West End of the Molo dd
1735-40 Oil on canvas, 114,5 x 153 cm National Gallery of Art, Washington
   
   
     

 

 

Canaletto The Brenta Canal at Padua dsf oil painting

Painting ID::  5624

X 
 

Canaletto
The Brenta Canal at Padua dsf
1735-40 Oil on canvas, 62,5 x 109 cm National Gallery of Art, Washington
   
   
     

 

 

Canaletto Grand Canal: Looking South-West f oil painting

Painting ID::  5625

X 
 

Canaletto
Grand Canal: Looking South-West f
c. 1738 Oil on canvas, 124 x 204 cm National Gallery, London
   
   
     

 

 

Canaletto Bacino di San Marco (St Mark s Basin) oil painting

Painting ID::  5626

X 
 

Canaletto
Bacino di San Marco (St Mark s Basin)
1738-40 Oil on canvas, 125 x 204 cm Museum of Fine Arts, Boston
   
   
     

 

 

Canaletto The Grand Canal at the Salute Church d oil painting

Painting ID::  5627

X 
 

Canaletto
The Grand Canal at the Salute Church d
1738-42 Oil on canvas, 121 x 151 cm Private collection, Zurich
   
   
     

 

 

Canaletto The Molo and the Riva degli Schiavoni from the Bacino di San Marco oil painting

Painting ID::  5628

X 
 

Canaletto
The Molo and the Riva degli Schiavoni from the Bacino di San Marco
1740 Oil on canvas, 46,5 x 63 cm Toledo Museum of Art, Toledo
   
   
     

 

 

Canaletto The Bucintore Returning to the Molo on Ascension Day oil painting

Painting ID::  5629

X 
 

Canaletto
The Bucintore Returning to the Molo on Ascension Day
c. 1740 Oil on canvas, 187 x 259 cm Pushkin Museum, Moscow
   
   
     

 

 

Canaletto The Molo with the Library and the Entrance to the Grand Canal f oil painting

Painting ID::  5630

X 
 

Canaletto
The Molo with the Library and the Entrance to the Grand Canal f
c. 1740 Oil on canvas, 110,5 x 185,5 cm Private collection
   
   
     

 

 

Canaletto Rome: The Arch of Constantine ffg oil painting

Painting ID::  5631

X 
 

Canaletto
Rome: The Arch of Constantine ffg
1742 Oil on canvas, 181,5 x 103 cm Royal Collection, Windsor
   
   
     

 

 

Canaletto Rome: The Arch of Constantine (detail) fd oil painting

Painting ID::  5632

X 
 

Canaletto
Rome: The Arch of Constantine (detail) fd
1742 Oil on canvas Royal Collection, Windsor
   
   
     

 

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Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.