|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
Caravaggio
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe. |
|
|
|
|
|
|
|
|
|
|
|
Caravaggio
Nativity with St. Francis and St Lawrence
1609
Type Oil on canvas
Dimensions 268 cm x 197 cm (106 in x 78 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Caravaggio
Denial of Saint Peter
1610
Type Oil on canvas
Dimensions 94 cm x 125 cm (37 in x 49 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Caravaggio
Martyrdom of Saint Ursula
1610
Type Oil on canvas
Dimensions 154 cm x 178 cm (61 in x 70 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Caravaggio
Rest on the Flight into Egypt
circa 1597(1597)
Medium oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Caravaggio
Saint John the Baptist
circa 1602(1602).
Medium oil on canvas.
Dimensions 132 X 97 cm
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Caravaggio
|
Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
|
|
|
|
|
|
|
|
