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Caravaggio
The Entombment
1602-03 Oil on canvas, width of detail: 30 cm Pinacoteca, Vatican The detail shows the head of Mary
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Caravaggio
card-players, c
1590-95
courtesy of the fogg art museum, harvard university, cambridge, mass
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Caravaggio
de sju barmhartighetsgarningarna
se
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Caravaggio
The Tooth Drawer
Technique Oil on canvas
Dimensions 139.5 ?? 194.5 cm
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Caravaggio
David mit dem Haupt des Goliath
Medium Oil on poplar
Dimensions Expression error: Missing operand for *90.5 ?? 116 cm
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Caravaggio
david med goliats huvud
cirka 1606
pa poppeltra 116x90.5cm
se
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Caravaggio
madonnan med rosenkransen
cirka 1606
pa duk 249x364cm
se
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Caravaggio
Dornenkronung Christi
um 1602/1604
Oil on canvas
127 x 166 cm
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Caravaggio
Gemalde der Contarelli
Date 1599-1600
Medium English: Oil on canvas
Deutsch: Öl auf Leinwand
cyf
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Caravaggio
Saint Jerome Writing
1605-1606
Oil on canvas
112 X 157 cm (44.09 X 61.81 in)
cjr
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Caravaggio
Hl. Hieronymus beim Schreiben
1605-1606
Oil on canvas
112 X 157 cm (44.09 X 61.81 in)
cjr
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Caravaggio
Saint Jerome Writing
Date 1605-1606
Medium Oil on canvas
Dimensions 112 ?? 157 cm (44.1 ?? 61.8 in)
cyf
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Caravaggio
Hieronymus beim Schreiben
Date 1605-1606
Medium Oil on canvas
Dimensions 112 ?? 157 cm (44.1 ?? 61.8 in)
cyf
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Caravaggio
Portrait of Pope Urban VIII.
1599(1599)
Oil on canvas
cjr
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Caravaggio
Neptune and Pluto
between 1597(1597) and 1600(1600)
Medium Ceiling painting in oil
cyf
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Caravaggio
The Deposition of Christ
The Deposition of Christ, oil on canvas, 1602 - 04, Pinacoteca, Vatican Museums, Vatican City.
cjr
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Caravaggio
Youth with a Ram
ca. 1602(1602).
Medium Oil on canvas.
Dimensions 132 x 97 cm (52 x 38.2 in).
cyf
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Caravaggio
Deposition of Christ
oil on canvas, 1602 - 04
cyf
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Caravaggio
Johannes der Taufer
1602(1602).
Medium Oil on canvas.
Dimensions 132 x 97 cm (52 x 38.2 in).
cyf
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Caravaggio
Saint John the Baptist
1602(1602).
Medium Oil on canvas.
Dimensions 132 x 97 cm (52 x 38.2 in).
cyf
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| Caravaggio
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Italian Baroque Era Painter, ca.1571-1610
Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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