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Francisco de Zurbaran
st, casilda
1641-1658
oil on canvas, 184x98cm
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Francisco de Zurbaran
christ crucified
1641-1658
oil on canvas, 232x167cm
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Francisco de Zurbaran
girl virgin at prayer
1641-1658
oil on canvas, 75x54cm
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Francisco de Zurbaran
immaculate virgin
1641-1658
oil on canvas, 198x120cm
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Francisco de Zurbaran
the virgin of mercy with two mercedarians
1641-1658
oil on canvas, 166x129cm
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Francisco de Zurbaran
virgin and child in the clouds
1641-1658
oil on canvas
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Francisco de Zurbaran
the martydom of st james.
1641-1658
oil on canvas, 252x186cm
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Francisco de Zurbaran
st. jerome
1641-1658
oil on canvas, 185x103cm
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Francisco de Zurbaran
st. peter the martyr
1641-1658
oil on canvas, 180x110cm
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Francisco de Zurbaran
st, dominic
1641-1658
oil on canvas, 180x110cm
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Francisco de Zurbaran
st. thomas.
1641-1658
oil on canvas, 181x94cm
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Francisco de Zurbaran
st. matthew
1641-1658
oil on canvas, 181x94cm
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Francisco de Zurbaran
st, bartholomew
1641-1658
oil on canvas, 181x94cm
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Francisco de Zurbaran
st, john the evangelist
1641-1658
oil on canvas, 181x94cm
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Francisco de Zurbaran
st, dominic
1641-1658
oil on canvas, 184x103cm
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Francisco de Zurbaran
st. francis of assisi
1641-1658
oil on canvas, 184x103cm
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Francisco de Zurbaran
st. bruno
1641-1658
oil on canvas, 184x103cm
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Francisco de Zurbaran
st. pedro nolasco
1641-1658
oil on canvas, 184x103cm
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Francisco de Zurbaran
st. ursula
1641-1658
oil on canvas, 195x109cm
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Francisco de Zurbaran
st. marina
1641-1658
oil on canvas 170x101cm
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| Francisco de Zurbaran
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1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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