|
|
|
Jean-Auguste Dominique Ingres apotheosis of homer mk247
1827,oil on canvas,152x201.5 in,386x512 cm,louvre,paris,france
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres portrait of nino eristavi mk247
1829,oil on canvas,54x35 in,139x90 cm,georgian state picture gallery,tbilisi,georgia
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres comtesse d haussonville mk247
1845,oil on canvas,51.875x36.25 in,132x92 cm,frick collection,new york,ny,usa
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres madame moitessier mk247
1856,oil on canvas,47.25x36.25 in,120x92 cm,national gallery,london,uk
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Song Yu Nu Figure Valbandon mk255 for in 1808. 1.46 x 0.97 meters canvas. Paris, the Louvre
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Mr. Bertin portrait mk255 for in 1832. 1.16 x 0.95 meters canvas. Paris, the Louvre
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres The Violinist Niccol 1819 Pencil, 298 x 218 mm Mus?e du Louvre, Paris Ingres was a life-long proponent of the primacy of line over colour. His service to art lay in his abilities as a portraitist and as one of the most important draughtsmen of the century. His portrait drawings are remarkable for their psychological empathy and the enormous subtlety with which light and surface area are treated. Ingres, himself a talented violinist, drew a portrait of Niccol?Paganini - at that stage at the very beginning of his career - probably as a reminder of concerts the two friends had performed together. Listen to an example of Paganini's music
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres mme de senonnes 1806
nantes, museum
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres mme moitessier 1856
london, the national gallery
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres the baroness rothschild 1848
collection guy de rothschild
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Roger delivrant Angelique Date 1819
Medium Oil on canvas
Dimensions English: (147 x 190 cm) (57.9 x 74.8 in)
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of the King Charles X of France in coronation robes Date 1829(1829)
Medium Oil on canvas
Dimensions 129 x 90 cm (50.8 x 35.4 in)
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait de Napoleon Bonaparte en premier consul 1803-1804
Medium Oil on canvas
Dimensions 226 x 144 cm
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Napoleon on his Imperial throne 1806(1806)
Medium Oil on canvas
Dimensions 260 x 163 cm (102.4 x 64.2 in)
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrait of Monsieur Riviere 1805. Oil on canvas. Louvre, Paris, France. More.
Date 1805(1805)
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Louise de Broglie 1845(1845)
Medium Oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Louise de Broglie 1845(1845)
Medium Oil on canvas
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrat Napoleon Bonapartes 1803-1804
Medium Oil on canvas
Dimensions 226 x 144 cm (89 x 56.7 in)
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Portrat Napoleon Bonapartes als Erster Konsul 1803-1804
Medium Oil on canvas
Dimensions 226 x 144 cm (89 x 56.7 in)
cyf
|
|
|
|
|
|
|
|
|
|
Jean-Auguste Dominique Ingres Napoleon on his Imperial throne 1806(1806)
Medium Oil on canvas
Dimensions 260 x 163 cm (102.4 x 64.2 in)
cyf
|
|
|
|
|
|
|
|
| |
|
|
Jean-Auguste Dominique Ingres
|
French Neoclassical Painter, 1780-1867
was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy.
A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..
|