HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

 

  Prev   2 3 4 5 6 7 8 9 10 11    Next
 

 

 

John Constable Malvern Hall:The entrance front oil painting

Painting ID::  33131

X 
 

John Constable
Malvern Hall:The entrance front
mk82 c.1820 oil on canvas 54.6x78.1
   
   
     

 

 

John Constable Spring:East Bergholt Common oil painting

Painting ID::  33132

X 
 

John Constable
Spring:East Bergholt Common
mk82 c.1821 or 1829 oil on oak wood panel 19x36.2
   
   
     

 

 

John Constable View from Hampstead Heath,Looking West oil painting

Painting ID::  33133

X 
 

John Constable
View from Hampstead Heath,Looking West
mk82 14 July 1821
   
   
     

 

 

John Constable View from Hampstead Heath,Looking towards Harrow August 1821 oil painting

Painting ID::  33134

X 
 

John Constable
View from Hampstead Heath,Looking towards Harrow August 1821
mk82 oil on paper laid on canvas 25x29.8
   
   
     

 

 

John Constable Cloud study,Hampstead,trees at ringt 11September 1821 oil painting

Painting ID::  33135

X 
 

John Constable
Cloud study,Hampstead,trees at ringt 11September 1821
mk82 oil on paper laid on board 24.1x29.9
   
   
     

 

 

John Constable Hampstead Heath,sun setting over Harrow 12 September 1821 oil painting

Painting ID::  33136

X 
 

John Constable
Hampstead Heath,sun setting over Harrow 12 September 1821
mk82 oil on paper laid on board 24.7x30.5cm
   
   
     

 

 

John Constable Cloud study,horizon of trees 27 September 1821 oil painting

Painting ID::  33137

X 
 

John Constable
Cloud study,horizon of trees 27 September 1821
mk82 oil on paper laid on board 25.8x30.5cm
   
   
     

 

 

John Constable Road to the The Spaniards,Hampstead 2(9)July 1822 oil painting

Painting ID::  33138

X 
 

John Constable
Road to the The Spaniards,Hampstead 2(9)July 1822
mk82 oil on paper laid on canvas 30.8x51.1
   
   
     

 

 

John Constable A View at Hampstead Evening 31 july 1822 oil painting

Painting ID::  33139

X 
 

John Constable
A View at Hampstead Evening 31 july 1822
mk82 oil on paper 16.5x29.8cm
   
   
     

 

 

John Constable Cloud Study evening 31 August 182 oil painting

Painting ID::  33140

X 
 

John Constable
Cloud Study evening 31 August 182
mk82 oil on paper 47x58
   
   
     

 

 

John Constable Cllouds 5 September 1822 oil painting

Painting ID::  33141

X 
 

John Constable
Cllouds 5 September 1822
mk82 oil on paper laid on cardboard 37x49
   
   
     

 

 

John Constable Cloud Study 6September 1822 oil painting

Painting ID::  33142

X 
 

John Constable
Cloud Study 6September 1822
mk82 oil on paper 24.4x30.7
   
   
     

 

 

John Constable Hampstead Heath looking to Harrwo oil painting

Painting ID::  33143

X 
 

John Constable
Hampstead Heath looking to Harrwo
mk82 c.1821-22 oil on paper laid on canvas 29.5x48.3
   
   
     

 

 

John Constable West End Field,Hampstead,noon oil painting

Painting ID::  33144

X 
 

John Constable
West End Field,Hampstead,noon
mk82 c.1821-22 oil on canvas 33.2x52.4cm
   
   
     

 

 

John Constable Branch Hill Pond,Hampstead oil painting

Painting ID::  33145

X 
 

John Constable
Branch Hill Pond,Hampstead
mk82 c.1821-22 oil on canvas 24.5x39.4
   
   
     

 

 

John Constable Cloud Study oil painting

Painting ID::  33146

X 
 

John Constable
Cloud Study
mk82 182 oil on paper 29.2x48.2
   
   
     

 

 

John Constable Cloud Study oil painting

Painting ID::  33147

X 
 

John Constable
Cloud Study
mk82 1822 oil on paer 19.8x32
   
   
     

 

 

John Constable Salisbury Cathedral from the Bishop's Grounds oil painting

Painting ID::  33148

X 
 

John Constable
Salisbury Cathedral from the Bishop's Grounds
mk82 1823 oil on canvas 87.6x111.8
   
   
     

 

 

John Constable Landscape after Teniers oil painting

Painting ID::  33149

X 
 

John Constable
Landscape after Teniers
mk82 1823 oil on panel 16.8x22.6cm
   
   
     

 

 

John Constable Flatford Lock 19April 1823 oil painting

Painting ID::  33150

X 
 

John Constable
Flatford Lock 19April 1823
mk82 pencil and grey wash,on two adjoining sheets from a sketchbook 17.2x31.7cm
   
   
     

 

       Prev    2  3  4  5  6  7  8  9  10  11     Next

 

John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy