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Oil Paintings Come From United Kingdom
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John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

 

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John Constable Hampsted Heath,looking towards Harrow at sunset 9August 1823 oil painting

Painting ID::  33151

X 
 

John Constable
Hampsted Heath,looking towards Harrow at sunset 9August 1823
mk82 oil on canvas 23x29
   
   
     

 

 

John Constable Landscape with goatherd and goats after Claude 1823 oil painting

Painting ID::  33152

X 
 

John Constable
Landscape with goatherd and goats after Claude 1823
mk82 oil on canvas 53.3x44.3
   
   
     

 

 

John Constable Landscape study:Scene in a park oil painting

Painting ID::  33153

X 
 

John Constable
Landscape study:Scene in a park
mk82 c.1823 oil on paper laid on canvas 24x26
   
   
     

 

 

John Constable Osmington Bay oil painting

Painting ID::  33154

X 
 

John Constable
Osmington Bay
mk82 c.1824 oil on canvas 34.5x51.8
   
   
     

 

 

John Constable Bright Beach with Shipping and a gig to june 1824 oil painting

Painting ID::  33155

X 
 

John Constable
Bright Beach with Shipping and a gig to june 1824
mk82 oil on paper laid on board 12.4x28.6
   
   
     

 

 

John Constable Brighton Beach 12 june 1824 oil painting

Painting ID::  33156

X 
 

John Constable
Brighton Beach 12 june 1824
mk82 oil on paper 12x29.7
   
   
     

 

 

John Constable Brighton Beach oil painting

Painting ID::  33157

X 
 

John Constable
Brighton Beach
mk82 c.1824 oil on paper laid on canvas 23.8x29.3
   
   
     

 

 

John Constable Rainstorm over the sea oil painting

Painting ID::  33158

X 
 

John Constable
Rainstorm over the sea
mk82 c.1824-28
   
   
     

 

 

John Constable Coast scene,Brighton oil painting

Painting ID::  33159

X 
 

John Constable
Coast scene,Brighton
mk82 c.1824-28
   
   
     

 

 

John Constable A storm off the coast of Brighton oil painting

Painting ID::  33160

X 
 

John Constable
A storm off the coast of Brighton
mk82 1824 oil on paper laid on card 14.4x19.3
   
   
     

 

 

John Constable Brighton Beach oil painting

Painting ID::  33161

X 
 

John Constable
Brighton Beach
mk82 1824 oil on paper laid on canvas 32.1x50.2
   
   
     

 

 

John Constable Hove Beach,withfishing boats oil painting

Painting ID::  33162

X 
 

John Constable
Hove Beach,withfishing boats
mk82 c.1824 oil on paer laid on canvas 29.8x49.2
   
   
     

 

 

John Constable A ploughing scene in Suffolk oil painting

Painting ID::  33163

X 
 

John Constable
A ploughing scene in Suffolk
mk82 c.1824 oil on canvas 42.5x76.2
   
   
     

 

 

John Constable Landscape with trees and deer,after Claude july 1825 oil painting

Painting ID::  33164

X 
 

John Constable
Landscape with trees and deer,after Claude july 1825
mk82 pen and brown ink,with brown and grey wash 28.8x20
   
   
     

 

 

John Constable A boat passing a lock oil painting

Painting ID::  33165

X 
 

John Constable
A boat passing a lock
mk82 1826 oil on canvas 101.6x127
   
   
     

 

 

John Constable Branch Hill Pond,Hampstead Heath,with a boy sitting on a bank oil painting

Painting ID::  33168

X 
 

John Constable
Branch Hill Pond,Hampstead Heath,with a boy sitting on a bank
mk82 c.1825-28
   
   
     

 

 

John Constable Study of A boat passing a lock oil painting

Painting ID::  33167

X 
 

John Constable
Study of A boat passing a lock
mk82 c.1826 oil on canvas 103.5x129.9
   
   
     

 

 

John Constable The Vale of Dedham oil painting

Painting ID::  33169

X 
 

John Constable
The Vale of Dedham
mk82 1827-28 oil on canvas 145x122
   
   
     

 

 

John Constable Stormy Sea,Brighton 20 july 1828 oil painting

Painting ID::  33170

X 
 

John Constable
Stormy Sea,Brighton 20 july 1828
mk82 oil on paper laid on canvas 14.5x23.5
   
   
     

 

 

John Constable A windmill near Brighton oil painting

Painting ID::  33171

X 
 

John Constable
A windmill near Brighton
mk82 c.1828-29
   
   
     

 

       Prev    3  4  5  6  7  8  9  10  11  12     Next

 

John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy