HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

 

  Prev   4 5 6 7 8 9 10 11 12 13    Next
 

 

 

John Constable Stoke-by-Nayland,Suffolk oil painting

Painting ID::  33172

X 
 

John Constable
Stoke-by-Nayland,Suffolk
mk82 c.1829-35 iron-gall ink wash and pancil 12.2x16.5
   
   
     

 

 

John Constable Hampstead Heath with London in the distance oil painting

Painting ID::  33173

X 
 

John Constable
Hampstead Heath with London in the distance
mk82 c.1827-30
   
   
     

 

 

John Constable Church Farm oil painting

Painting ID::  33174

X 
 

John Constable
Church Farm
mk82 langham 1811-15 oil on canvas 19.7x28
   
   
     

 

 

John Constable The Glebe Farm oil painting

Painting ID::  33175

X 
 

John Constable
The Glebe Farm
mk82 c.1830 oil on canvas 59.7x78.1
   
   
     

 

 

John Constable The Glebe Farm oil painting

Painting ID::  33176

X 
 

John Constable
The Glebe Farm
mk82 1830 oil on canvas 49x62
   
   
     

 

 

John Constable London from Hampstead Heath in a storm,with a double rainbow june 1831 oil painting

Painting ID::  33177

X 
 

John Constable
London from Hampstead Heath in a storm,with a double rainbow june 1831
mk82 watercolour with scraping out ,on grey paper 19.7x32
   
   
     

 

 

John Constable Old Sarum oil painting

Painting ID::  33178

X 
 

John Constable
Old Sarum
mk82 1834 watercolour with scraping out,on two conjoined sheets 30x48.7
   
   
     

 

 

John Constable Cowdray House:The Ruins 14 Septembr 1834 oil painting

Painting ID::  33179

X 
 

John Constable
Cowdray House:The Ruins 14 Septembr 1834
mk82 watercolour and pencil,on two conjoined sheers 26.5x27.4
   
   
     

 

 

John Constable View on the Stour,Dedham Church in the distance oil painting

Painting ID::  33180

X 
 

John Constable
View on the Stour,Dedham Church in the distance
mk82 c.1832-36
   
   
     

 

 

John Constable Weymouth Bay oil painting

Painting ID::  33181

X 
 

John Constable
Weymouth Bay
mk82 c.1819/1830
   
   
     

 

 

John Constable West End Fields,Hanpstend,noon oil painting

Painting ID::  33182

X 
 

John Constable
West End Fields,Hanpstend,noon
mk82 c.1821-22
   
   
     

 

 

John Constable Brighton Beach oil painting

Painting ID::  33183

X 
 

John Constable
Brighton Beach
mk82 1824
   
   
     

 

 

John Constable A ploughing scene in Suffolk oil painting

Painting ID::  33184

X 
 

John Constable
A ploughing scene in Suffolk
mk82 1814
   
   
     

 

 

John Constable Autumnal Sunset oil painting

Painting ID::  33185

X 
 

John Constable
Autumnal Sunset
mk82 c.1812
   
   
     

 

 

John Constable Old Sarum at noon oil painting

Painting ID::  33186

X 
 

John Constable
Old Sarum at noon
mk82 20 july 1829
   
   
     

 

 

John Constable A windmill near Brighton oil painting

Painting ID::  33187

X 
 

John Constable
A windmill near Brighton
mk82 c.1828-29
   
   
     

 

 

John Constable Weymouth Bay oil painting

Painting ID::  33920

X 
 

John Constable
Weymouth Bay
mk87 c.1816 Oil on canvas 53x75cm London,National Gallery
   
   
     

 

 

John Constable Salisbury Cathedral from the Bishop-s Grounds oil painting

Painting ID::  33921

X 
 

John Constable
Salisbury Cathedral from the Bishop-s Grounds
mk87 1828 Oil on canvas 34x44cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
   
   
     

 

 

John Constable The Hay Wain oil painting

Painting ID::  33922

X 
 

John Constable
The Hay Wain
mk87 1821 Oil on canvas 130.5x185.5cm London,Nationa Gallery
   
   
     

 

 

John Constable Dedham Lock and Mill oil painting

Painting ID::  33923

X 
 

John Constable
Dedham Lock and Mill
mk87 1820 Oil on canvas 53.7x76.2cm London,Vicotria and Albert Museum
   
   
     

 

       Prev    4  5  6  7  8  9  10  11  12  13     Next

 

John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy