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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

 

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Correggio Martyrdom of Four Saints oil painting

Painting ID::  521

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Correggio
Martyrdom of Four Saints
Galleria Nazionale, Parma
   
   
     

 

 

Correggio Deposition oil painting

Painting ID::  522

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Correggio
Deposition
Galleria Nazionale, Parma
   
   
     

 

 

Correggio Coronation of the Virgin oil painting

Painting ID::  524

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Correggio
Coronation of the Virgin
Galleria Nazionale, Parma
   
   
     

 

 

Correggio The Adoration of the Magi fg oil painting

Painting ID::  6169

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Correggio
The Adoration of the Magi fg
1516-18 Oil on canvas, 84 x 108 cm Pinacoteca di Brera, Milan
   
   
     

 

 

Correggio The Mystic Marriage of St Catherine oil painting

Painting ID::  9843

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Correggio
The Mystic Marriage of St Catherine
c. 1520 Wood, 105 x 102 cm Mus??e du Louvre, Paris
   
   
     

 

 

Correggio Allegory of the Virtues (mk05) oil painting

Painting ID::  20091

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Correggio
Allegory of the Virtues (mk05)
1529-1530 Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1662
   
   
     

 

 

Correggio Allegory of the Vices (mk05) oil painting

Painting ID::  20092

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Correggio
Allegory of the Vices (mk05)
Tempera on canvas,58 1/4 x 34 1/2''(148 x 88 cm).Cabinet des Dessins;entered the Louvre in 1661
   
   
     

 

 

Correggio Venus,Satyr and Cupid (mk05) oil painting

Painting ID::  20166

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Correggio
Venus,Satyr and Cupid (mk05)
Canvas 74 x 49 1/4\'\'(188 x 125 cm)Painted for Federico Gonzaga;collections of Charles I,Cardinal Mazarin,and Louis XIV;entered the Louvre in 1661
   
   
     

 

 

Correggio Portrait of a Youn Man (mk05) oil painting

Painting ID::  20178

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Correggio
Portrait of a Youn Man (mk05)
Wood 231/4 x 17 1/4\'\'(59 x 44 cm).Formerly attributed to Raphael and then to Parmigianino.Enlarged by the artist;entered the Louvre in 1665
   
   
     

 

 

Correggio The Mystic Marriage (mk05) oil painting

Painting ID::  20180

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Correggio
The Mystic Marriage (mk05)
Wood 411/4 x 40 1/4''(105 x 102 cm).Collections of Cardinal Mazarin and Louis XIV;entered the Louvre in 1661
   
   
     

 

 

Correggio Zeus and Antiope (mk08) oil painting

Painting ID::  21324

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Correggio
Zeus and Antiope (mk08)
c.1524/25 Oil on canvas, 188x125cm Paris,Musee National du Louvre
   
   
     

 

 

Correggio Leda and the Swan (mk08) oil painting

Painting ID::  21326

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Correggio
Leda and the Swan (mk08)
c.1531/32 Oil on canvas 152x191cm Berlin,Gemaldegalerie,Staatliche Museen zu Berlin-Preubischer Kulturbesitz
   
   
     

 

 

Correggio Zeus and Io (mk08) oil painting

Painting ID::  21327

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Correggio
Zeus and Io (mk08)
c.1531/32 Oil on canvas,163.5x74cm Vienna,Kunsthistorisches Museum
   
   
     

 

 

Correggio The Abduction of Ganymede (mk08) oil painting

Painting ID::  21328

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Correggio
The Abduction of Ganymede (mk08)
c.1531/32 Oil on canvas, 163.5x70.5cm Vienna,Kunsthistorisches Museum
   
   
     

 

 

Correggio The Nativity (nn03) oil painting

Painting ID::  23278

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Correggio
The Nativity (nn03)
1530 Oil on panel 256 x 188 cm 100 3/4 74 in Staatliche Kunstsammlungen Dresden
   
   
     

 

 

Correggio Madonna and Child oil painting

Painting ID::  28810

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Correggio
Madonna and Child
mk65 c.1515 Oil on panel
   
   
     

 

 

Correggio Noli me tangere oil painting

Painting ID::  28811

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Correggio
Noli me tangere
mk65 c.1522-1525 Oil on canvas 130x103cm
   
   
     

 

 

Correggio Madonna and Child in Glory with Angels oil painting

Painting ID::  29030

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Correggio
Madonna and Child in Glory with Angels
mk65 OIl on panel 7 7/8x6 7/16in Uffizi, Gallery
   
   
     

 

 

Correggio The Adoration of the Child oil painting

Painting ID::  29031

X 
 

Correggio
The Adoration of the Child
mk65 Oil on panel 31 7/8x30 5/16in Uffizi,Gallery
   
   
     

 

 

Correggio Portrait of a Lady oil painting

Painting ID::  29290

X 
 

Correggio
Portrait of a Lady
mk65 ca.1519 Oil on canvas 40 1/2x34 1/2"
   
   
     

 

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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.