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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

 

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Correggio Assumption of the Virgin,details with angels bearing musical instruments oil painting

Painting ID::  31649

X 
 

Correggio
Assumption of the Virgin,details with angels bearing musical instruments
mk74 Parma,Duomo
   
   
     

 

 

Correggio Assumption of the Virgin,details with angels bearing musical instruments oil painting

Painting ID::  31650

X 
 

Correggio
Assumption of the Virgin,details with angels bearing musical instruments
mk74 Parma,Duomo
   
   
     

 

 

Correggio Assumption of the Virgin,detail with the Assumption oil painting

Painting ID::  31651

X 
 

Correggio
Assumption of the Virgin,detail with the Assumption
mk74 Parma, Duomo
   
   
     

 

 

Correggio Assumption of the Virgin,details with Eve,angels,and putti oil painting

Painting ID::  31652

X 
 

Correggio
Assumption of the Virgin,details with Eve,angels,and putti
mk74 Parma,Duomo
   
   
     

 

 

Correggio Assumption of the Virgin,details with Eve,angels,and putti oil painting

Painting ID::  31653

X 
 

Correggio
Assumption of the Virgin,details with Eve,angels,and putti
mk74 Parma,Duomo
   
   
     

 

 

Correggio Pendentives depicting Saint Thomas,Saint Bernard,and Saint John oil painting

Painting ID::  31654

X 
 

Correggio
Pendentives depicting Saint Thomas,Saint Bernard,and Saint John
mk74 Parma, Duomo
   
   
     

 

 

Correggio Pendentives depicting Saint Thomas,Saint Bernard,and Saint John oil painting

Painting ID::  31655

X 
 

Correggio
Pendentives depicting Saint Thomas,Saint Bernard,and Saint John
mk74 Parma, Duomo
   
   
     

 

 

Correggio Pendentives depicting Saint Thomas,Saint Bernard,and Saint John oil painting

Painting ID::  31656

X 
 

Correggio
Pendentives depicting Saint Thomas,Saint Bernard,and Saint John
mk74 Parma,Duomo
   
   
     

 

 

Correggio Partial view of the cupola with the pendentive depicting Saint Hilary oil painting

Painting ID::  31657

X 
 

Correggio
Partial view of the cupola with the pendentive depicting Saint Hilary
mk74 Parma,Duomo
   
   
     

 

 

Correggio Madona with Saint jerome oil painting

Painting ID::  31658

X 
 

Correggio
Madona with Saint jerome
mk74 205.7x141cm Parma, Galleria Nazionale
   
   
     

 

 

Correggio Venus and Cupid with a Satyr oil painting

Painting ID::  31659

X 
 

Correggio
Venus and Cupid with a Satyr
mk74 188.5x125.5cm Paris,Louvre
   
   
     

 

 

Correggio The Education of Cupid oil painting

Painting ID::  31660

X 
 

Correggio
The Education of Cupid
mk74 155x91.5cm London, National Gallery
   
   
     

 

 

Correggio Adoration of the Shepherds oil painting

Painting ID::  31661

X 
 

Correggio
Adoration of the Shepherds
mk74 256.5x188cm Dresden,Gemaldegalerie
   
   
     

 

 

Correggio Madonna della Scodella oil painting

Painting ID::  31662

X 
 

Correggio
Madonna della Scodella
mk74 216.7x137.3cm Parma Galleria Nazionale
   
   
     

 

 

Correggio Madonna with Saint George oil painting

Painting ID::  31663

X 
 

Correggio
Madonna with Saint George
mk74 285x190cm Dresden,Gemaldegalerie
   
   
     

 

 

Correggio Danae oil painting

Painting ID::  31664

X 
 

Correggio
Danae
mk74 161x193cm Roma, Galleria Borghese
   
   
     

 

 

Correggio Leda oil painting

Painting ID::  31665

X 
 

Correggio
Leda
mk74 152x191cm Berlin,Gemaldegalerie
   
   
     

 

 

Correggio Leda oil painting

Painting ID::  31666

X 
 

Correggio
Leda
mk74 152x191cm Berlin,Gemaldegalerie
   
   
     

 

 

Correggio Io oil painting

Painting ID::  31667

X 
 

Correggio
Io
mk74 163.5x70.5cm Vienna,Kunsthistorisches Museum
   
   
     

 

 

Correggio Ganymede oil painting

Painting ID::  31668

X 
 

Correggio
Ganymede
mk74 163.5x70.5cm Vienna,Kunsthistorisches Museum
   
   
     

 

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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.