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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

 
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Correggio The Rest on the Flight into Egypt oil painting

Painting ID::  29879

X 
 

 Correggio
The Rest on the Flight into Egypt
mk67 Oil on canvas 48 5/8x41 15/16in Uffizi,Gallery
   
   
     

 

 
Correggio Venus and Cupid with a Satyr oil painting

Painting ID::  30479

X 
 

 Correggio
Venus and Cupid with a Satyr
mk68 Oil on canvas 6'2"x4'1 1/2" Paris c.1520 Italy
   
   
     

 

 
Correggio Assumption of the Virgin oil painting

Painting ID::  30482

X 
 

 Correggio
Assumption of the Virgin
mk68 Fresco Parma,Parma Cathedral 1526-1530 Italy
   
   
     

 

 
Correggio Allegorie des vertus on La vertu heroique victorieuse des vices oil painting

Painting ID::  30972

X 
 

 Correggio
Allegorie des vertus on La vertu heroique victorieuse des vices
mk70 Toile H.1.48 L.0.88 Paris,Musee du Louvre
   
   
     

 

 
Correggio Venus,Satyre et Cupidon oil painting

Painting ID::  30973

X 
 

 Correggio
Venus,Satyre et Cupidon
mk70 Toile. H.1.88 L.1.25 Paris,Musee du Louvre
   
   
     

 

 
Correggio Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sebastien oil painting

Painting ID::  30974

X 
 

 Correggio
Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sebastien
mk70 Bois H.1.05 L.1.02 Paris,Musee du Louvre
   
   
     

 

 
Correggio Danae,Detail of the two cupids oil painting

Painting ID::  31595

X 
 

 Correggio
Danae,Detail of the two cupids
mk74 Rome, Galleria Borghese
   
   
     

 

 
Correggio Madonna and Child with Angels playing Musical Instruments oil painting

Painting ID::  31596

X 
 

 Correggio
Madonna and Child with Angels playing Musical Instruments
mk74 20x16.3cm Florence, Uffizi
   
   
     

 

 
Correggio Modonna and Child with Saint Elizabeth and the Young Saint John oil painting

Painting ID::  31597

X 
 

 Correggio
Modonna and Child with Saint Elizabeth and the Young Saint John
mk74 77x99cm Milan, Painacoteca di Brera
   
   
     

 

 
Correggio Details of Modonna and Child with Saint Elizabeth and the Young Saint John oil painting

Painting ID::  31598

X 
 

 Correggio
Details of Modonna and Child with Saint Elizabeth and the Young Saint John
mk74 77x99cm Milan, Painacoteca di Brera
   
   
     

 

 
Correggio Andrea Mantegna Madonna della Vittoria oil painting

Painting ID::  31599

X 
 

 Correggio
Andrea Mantegna Madonna della Vittoria
mk74 Paris, Louvre
   
   
     

 

 
Correggio Madonna with Saint Francis oil painting

Painting ID::  31600

X 
 

 Correggio
Madonna with Saint Francis
mk74 299x245cm Dresden, Gemaldegalerie
   
   
     

 

 
Correggio Madonna and Child with the Young Saint John oil painting

Painting ID::  31601

X 
 

 Correggio
Madonna and Child with the Young Saint John
mk74 48x37cm Madrid, Prado
   
   
     

 

 
Correggio Details of Madonna and Child with the Young Saint John oil painting

Painting ID::  31602

X 
 

 Correggio
Details of Madonna and Child with the Young Saint John
mk74 Madrid, Prado
   
   
     

 

 
Correggio Madonna Zingarella oil painting

Painting ID::  31603

X 
 

 Correggio
Madonna Zingarella
mk74 49x37cm Naples, Museo di Capodimonte
   
   
     

 

 
Correggio Rest on the Flight into Egypt with Saint Francis oil painting

Painting ID::  31604

X 
 

 Correggio
Rest on the Flight into Egypt with Saint Francis
mk74 123.5x106.5cm Florence Uffizi Gallery
   
   
     

 

 
Correggio Madonna and Child with the Young Saint John oil painting

Painting ID::  31605

X 
 

 Correggio
Madonna and Child with the Young Saint John
mk74 68x49cm Milan Museo del Castello Sforzesco
   
   
     

 

 
Correggio Details of Rest on the Flight into Egypt with Saint Francis oil painting

Painting ID::  31606

X 
 

 Correggio
Details of Rest on the Flight into Egypt with Saint Francis
mk74 123.5x106.5cm Florence, Uffizi Gallery
   
   
     

 

 
Correggio Campori Madonna oil painting

Painting ID::  31607

X 
 

 Correggio
Campori Madonna
mk74 58x45cm Modena Galleria Estense
   
   
     

 

 
Correggio Adoration of the Magi oil painting

Painting ID::  31608

X 
 

 Correggio
Adoration of the Magi
mk74 84x108cm Milan, Pinacoteca di Brera
   
   
     

 
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Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.