UK Oil Painting Reproductions Correggio 4

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Correggio Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

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Correggio Details of Adoration of the Magi oil painting

Painting ID:: 31609

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Correggio
Details of Adoration of the Magi
mk74 84x108cm Milan, Pinacoteca di Brera

Correggio Noil me tangere oil painting

Painting ID:: 31610

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Correggio
Noil me tangere
mk74 130x103cm Madrid, Prado

Correggio Portrait of a Gentlewoman oil painting

Painting ID:: 31611

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Correggio
Portrait of a Gentlewoman
mk74 103x87.5cm St Petersburg, Hermitage

Correggio View of the Camera di San Paolo and of the vault oil painting

Painting ID:: 31612

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Correggio
View of the Camera di San Paolo and of the vault
mk74 Parma

Correggio View of the Camera di San Paolo and of the vault oil painting

Painting ID:: 31613

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Correggio
View of the Camera di San Paolo and of the vault
mk74 Parma

Correggio Detail of an oval with a putto embracing a dog oil painting

Painting ID:: 31614

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Correggio
Detail of an oval with a putto embracing a dog
mk74 Parma Camera di San Paolo

Correggio Two ovals depicting a putto with a stag's head and a putto with a greyhound oil painting

Painting ID:: 31615

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Correggio
Two ovals depicting a putto with a stag's head and a putto with a greyhound
mk74 Parma, Camera di San Paolo

Correggio Two ovals depicting a putto with a stag's head and a putto with a greyhound oil painting

Painting ID:: 31616

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Correggio
Two ovals depicting a putto with a stag's head and a putto with a greyhound
mk74 Parma, Camera di San Paolo

Correggio Diana departing for the Hunt,fireplace oil painting

Painting ID:: 31617

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Correggio
Diana departing for the Hunt,fireplace
mk74 Parma, Camera di San Paolo

Correggio Passing away of Saint john oil painting

Painting ID:: 31618

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Correggio
Passing away of Saint john
mk74 Parma, Church of San Giovanni Evangelista

Correggio Vision of Saint john on the Island of Patmos,cupola oil painting

Painting ID:: 31619

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Correggio
Vision of Saint john on the Island of Patmos,cupola
mk74 Parma Church of San Giovanni Evangelista

Correggio Pendentive with Saint Jerome and Saint Mattehew oil painting

Painting ID:: 31620

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Correggio
Pendentive with Saint Jerome and Saint Mattehew
mk74 Parma Church of San Giovanni Evangelista

Correggio Detail of the cupola with the apostles Peter and Paul oil painting

Painting ID:: 31621

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Correggio
Detail of the cupola with the apostles Peter and Paul
mk74 Parma, Church of San Giovanni Evangelista

Correggio Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great oil painting

Painting ID:: 31622

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Correggio
Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great
mk74 Parma, Church of San Giovanni Evangelista

Correggio Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great oil painting

Painting ID:: 31623

X

Correggio
Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great
mk74 Parma, Church of San Giovanni Evangelista

Correggio Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great oil painting

Painting ID:: 31624

X

Correggio
Details of the cupola with the apostles Philip and Thaddeus,James the Less and Thomas,Andrew and Jomes the Great
mk74 Parma, Church of San Giovanni Evangelista

Correggio Parmigianino Detail of the putto between the pendentives of the north side oil painting

Painting ID:: 31625

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Correggio
Parmigianino Detail of the putto between the pendentives of the north side
mk74 Parma Church of San Giovanni Evangelista

Correggio Detail of the putto to the side of the pendentive with Jerome and Matthew oil painting

Painting ID:: 31626

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Correggio
Detail of the putto to the side of the pendentive with Jerome and Matthew
mk74 Parma, Church of San Giovanni Evangelista

Correggio Frieze depicting the Christian Sacrifice oil painting

Painting ID:: 31627

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Correggio
Frieze depicting the Christian Sacrifice
mk74 Parma, Church of San Giovanni Evangelista, chapter house

Correggio Frieze depicting the Christian Sacrifice oil painting

Painting ID:: 31628

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Correggio
Frieze depicting the Christian Sacrifice
mk74 Parma, Church of San Giovanni Evangelista, chapter house

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Correggio

Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.