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Francisco de Zurbaran
St.Laurence
mk65
1636
Oil on canvas
115x88 1/2"
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Francisco de Zurbaran
St Casilda of Burgos
1638-42
Oil on canvas, 184 x 90 cm
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Francisco de Zurbaran
Madonna with Child
1658
Oil on canvas, 101 x 78 cm
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Francisco de Zurbaran
St Margaret
c. 1631
Oil on canvas, 194 x 112 cm
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Francisco de Zurbaran
Saint Luke as a Painter before Christ on the Cross
c. 1660
Oil on canvas, 105 x 84 cm
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Francisco de Zurbaran
Still-life
Oil on canvas, 46 x 84 cm
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Francisco de Zurbaran
Appearance of Saint Peter to Saint Peter of Nolasco
mk68
Oil on canvas
Madrid,Prado
1629
Spain
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Francisco de Zurbaran
Still Life
mk68
Oil on canvas
18"x33"
1633-1640
Spain
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Francisco de Zurbaran
Saint Casilda
mk79
About 1640
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Francisco de Zurbaran
Still Life
mk84
1633
Pasadena,Norton Simon Museum of Art,
canvas
60x107cm
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Francisco de Zurbaran
Christ on the Cross
mk84
1627
Chicago,Art Institute
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Francisco de Zurbaran
Adoration of the Shepherds
mk84
1639
Grenoble
canvas
267x185cm
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Francisco de Zurbaran
Adoration of the Magi
mk84
1639-40
Grenoble,canvas
264x176cm
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Francisco de Zurbaran
Vision of Brother Andres Salmeron
mk84
1639-40
Guadalupe,monastery canvas
290x222cm
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Francisco de Zurbaran
The Death of St Bonaventura
mk86
1629
Oil on canva
245x220cm
Paris,Musee National du Louvre
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Francisco de Zurbaran
St Hugo of Grenoble in the Carthusian Refectory
mk86
c.1633
Oil on canvas
102x168cm
Sevilla,Museo de Bellas Artes
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Francisco de Zurbaran
St Margaret
mk86
c.1630-1635
Oil on canvas
192x112cm
London,National Gallery
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Francisco de Zurbaran
The Ecstacy of St Francis
mk86
c.1660
Oil on canvas
65x53cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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Francisco de Zurbaran
Still Life with Lemons,Oranges and Rose
mk86
1633
Oil on canvas
60x107cm
Pasadena,
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Francisco de Zurbaran
St Agatha
mk156
c.1634
Oil on canvas
129x61cm
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| Francisco de Zurbaran
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1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art..
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